The Elizabethan drama is an expression of fantasy
WHEN the great European act known as the Renaissance reached England, it found its fullest and about permanent expression in the drama. By a fortunate multitude of coincidences this intellectual and artistic impulse affected the people of England at a moment when the country was undergoing a rapid and, on the whole, a peaceful expansionâ"when the national spirit soared high, and when the developing of the language and the forms of versification had reached a point which made possible the most triumphant literary achievement which that country has seen.
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|THE maneuver BEFORE SHAKESPEARE |Â Â 2 |
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|Â Â Throughout the Middle Ages the English drama, alike that of other European countries, was mainly religious and didactic, | |
|its chief forms be the Miracle Plays, which presented in crude dialogue stories from the Bible and the lives of the | |
|saints, and the Moralities, which taught lessons for the guidance of lifespan through the means of allegorical action and the | |
|personification of purloin qualities. Both forms were severely limited in their opportunities for picturing benignant nature | |
|and human life with breadth and variety. With the revival of encyclopedism came naturally the study and imitation of the ancient | |
|classical drama, and in some countries this proved the chief influence in find the prevalent type of drama for | |
|generations to come. But in England, though we can trace important results of the models given by Seneca in tragedy and | |
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