As suggested by the title of the novella, Norman Maclean writes of the blood between the inherent and the theological, or perhaps better stated as the relationship between the river and life; natural, supernatural and theological.
In A River Runs Through It Norman Maclean makes several points about the relationship between the theological and the natural. atomic number 53 of these is the etymon that love as well as organized religion precedes all understanding. This is a classic theme of Christianity. Another theme that is prevalent in Christianity that Maclean uses as a thread end-to-end his novella is the doctrine of election. An oft debated and scrutinized teaching it turns out to be the truest for Maclean and the characters of A River Runs Through It. Like Isaac, Jacob and Abel, Norman counts peculiarly chosen, and homogeneous his biblical counterparts Ishmael, Esau and Cain, Paul seems destined for infernal suffering. Neither seem chosen for choices they give way made or deeds they have done, but argon predestined for their fates, in Normans case a long a gracious life, and in Pauls an early and barren death.
Norman, having grown up as a preachers kid is surely familiar with the story of Job. Job recognizes his paragon as the God who both gives and takes away, and as Job attests, must be praised and blasted for both.
While Norman hesitates (or refuses perhaps) to ascribe to this theory, he does point to crude(a) (natural) signs of Jobs God that is both giver and taker. The most striking examples are the rivers of Normans world; they are always described as tart through mountains, hurrying ad rushing in parts, relaxing in eddies behind large rocks, sometimes venturing into dry take to provide some sort of relief or feed to those forgotten areas, yet still all the while...
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