The Romantics and Their Contemporaries A n n a L e t i t i a Ba r b a u l d rase in several of the selections the combination of an easy, level off comic, tone with pointrel issues: in The Mouses Petition, shore leave and freedom, charged hurt in the era (see Perspectives: The Rights of Man and the transition feud), and the contrast in Washing-Day between the subject of the domestic remember and the formal invocations (Come, Muse), Latinate diction (impervious, propitious), and fabulous and historical allusion (Erebus, Guatimozin). iodin might compare the memory of the puerility self that emerges in this context of use (58 ff.) with Wordsworths Tintern Abbey. one might also ask students to compare Barbaulds design of, and distance from, red-armed washers (l. 14) with Wordsworths positioning of himself vis-Ã -vis those of a decline kind class whom he encounters and the class considerations in the works imply in Perspectives: The Rights of Man and the Re volution Controversy. Barbaulds ameliorative purview of the poor in To the Poor and at the close of The start gear Fire, in which she invokes the assist[ance] of ye / On whose warm roofs the sun of green goddess shines so that they may feel a glow beyond material ?re (ll.
7981), as eighteenth-century sympathetic moralists urged, should in addition be compared to the social restructurings urged by the authors in that section and in Perspectives: The Wollstonecraft Controversy and the Rights of Women. Inscription for an Ice-House similarly juxtaposes tones and genres: playing fair diversion against the demon stern Winter, and asking the reader to see in the lightest delicacies (the gelid berries and sugared hail) the su! blime power that has produced them. The purple couplets of eighteen Hundred and Eleven mix panorama and prophecy, personi?cations ( high life and need) with a roll-call of the heroes of the liberal Whig tradition (Locke, Milton, Clarkson, Fox, Priestley). Barbauld...If you want to read a replete(p) essay, order it on our website:
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