Egyptian Art Statue from Metropolitn Museum

This superb pair standing statue remains semi-attached to the limest single block from which they were carved. thither is chipping on the surface of Memis (man) responsibility arm. A dole out of Sabus (woman) nose and her lips appear to be chipped off as well. On the lower part of Sabus body there is chipping on both legs and upright underneath her pelvic atomic number 18a. thither are panoptical horizontal lines that cut right across Memis right forearm and underneath Sabus breasts. These lines may indicate what pieces of the statue had to be mended ass together. There is also chipping on the bottom right hand corner of the stone slab underneath Memis right leg. There are left everyplaces of black paint on Sabus wig, hairline and on her pupils. On Memis left shoulder there is a small remnant of rust garble paint that was probably the skin color used for his whole body. Black paint is also visible on the lower portion of Memis hair, especially along the tips walking(prenominal) to his shoulders. All other paint on the statue seems to have deteriorated over the years.

The hieroglyphs along the bottom of the stone slab label this work of diachronic art with representations of birds and plants. The representation of nature in Egyptian artwork is very common during the Old Kingdom time period.



The general statue remains fairly intact suffering from only one major handicap, which is the loss of its original color.

        This pair statue subtly deviates from the received representations of husband and wife in Old Kingdom artwork. This statue is sort of exceptional because we see an image where the wifes symbolic gesture that signifies their married status is affectionately returned by her husbands embrace. There is a common sense of intimacy and warmth in this embrace. This may explain the event that...

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