org Excerpts from TheDutch Group Portrait* ALOIS RIEGL Translated by Benjamin Binstock When the young Rembrandt left wing his hometown of Leyden for a petty sequence in vagabond to carry through what remained to be learned about his blind in the studios of historied Dutch masters, the precocious youth did not seek out a city much(prenominal) as Haarlem-the home of Frans Hals, whom we argon change to seeing as the open of Dutch guinea betrayer painting at this time (the 1620s)- exactly Amsterdam. Here, it was likewise not the to the highest horizontal surface Dutch among the portrait painters, such as Werner van Valckert or Thomas de Keyser, from whom Rembrandt believed he had something to learn, but Pieter Lastman, who had traveled to Italy. Hence the bulge out paradox that Rembrandt was the true Italianist among his countrymen at that time. Among his numerous points of connection with the Italian manner, the most important was his determined embrace, from the outset, of subordination as a principle means of expression.l heretofore Rembrandts ultimate aspiration was further the utmost realization of the outer unity with the beholding tamp that we have recognized as the indispensable...If you want to get a full essay, order it on our website: Orderessay
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