fused sense of self, the manuscript she has burnt may be rewritten by George and Mrs. Elvsted, Thea. George tousles Thea's hair and Thea talks of inspiring George like she did Lovborg. They aim to spend nights together rewriting the manuscript, to which Hedda replies "But how am I to get through the evenings out here?" (Ibsen 220). At this point, George fundamentally gives the lecherous Judge Brack permission to spend evenings alone with Hedda. Hedda knows Judge Brack has power over her because of her complicity in Lovborg's death "I am in your power none the less. Subject to your will and your demands. A slave, a slave then! No, I cannot endure the cerebration of that! Never!" (Ibsen 220).
Unlike Nora in Ibsen's A Doll's House, Hedda does not have the courage to leave her imprisoned condition because she is mortally horrified of scandal and a coward at heart. Thea has shown to be able to make the transition from old reality woman to new world woman by leaving her husband and not grown a hang what people say. As Thea and George become helpless in their work and with Judge Brack enjoying his cat-bird seat over Hedda, Hedda goes into the upcountry room and achieves beauty and calm by lying on the couch and shooting herself. She has found beauty at last.
shore up/Setting/Lighting/Music: Props are extremely important in this play. In Act IV, the piano, gun, and portrait of Hedda's public father are the most important props. The piano represents Hedda's mother, the one woman who might have been able to help reap her through her confusion about what it is to be a woman. Hedda is competent in masculine arts like shooting but she is lacking education or responsibility. When she plays her wild dance on the piano, the audience should be bombarded with the tune from speakers throughout the theater, since this is Hedda's last-ditch horrendous attempt to connect to her mother and her ow
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