Ralph Waldo Emerson in The American Scholar

This search for truth and a sway to express truth is the key element whether the exit contemplated is serious or comic, prose or poetry, dramatic be given or novel. MoliFre writes intimately characters who seem larger than life, as indeed they are, nevertheless this only emphasizes the truth that the generator begets in characters like Tartuffe and Orgon.

peerless might assume that the world depicted in the Confessions of jean=Jacques Rousseau was more legitimate because the book is an account of a real man's life, but it is still the ability of the writer to process and regulate the material of that life into a narrative which communicates with early(a)s that makes the work valuable. Rousseau has measuredly written a book that differs in tone from his other writings and that was written not for his contemporaries but to keep in line himself to future generations. The Confessions of Jean-Jacques Rousseau offers a non-dramatic, non- fabricational view of male and female roles in the eighteenth century. The subject of this work is the author himself, standing as an example of a man of his time. The women described by the writer are all in traditional female brotherly roles of mother, lover, and nurse. He sees the women--and most of the men--in his early life as burnished examples to which he could aspire. As a youngish man, Rousseau had his won work cut out for him--he had to find a profession, apprentice himself to it, and learn

from the experience. Women were to be admired and pursued, but they were in addition not expected to make the same sorts of sacrifices or find the same sort of career as a young man. Some women are enticements to draw the young man from his course. Rousseau in this work presents the thoughts of a young man learning about the world and deciding his have course in it. Rousseau, as noted, uses himself as an example, and his book can be considered his view of the predominate ideas and lifestyles of his time and economic circumstances.

Rousseau meditates on his own concerns and interests at this special(prenominal) juncture in life and relates these ideas to a broader sense of the constitutional life cycle and to his society, and his use of language and imagery helps let the truth he has learned to others.

Truth comes in some(prenominal) shapes and degrees, and it would be wrong to confuse the truth and reality of fiction with realism, which is only a way of treating fiction. Fantasy can be just as real and just as true(a) because it embodies the particular world-view and observations of the writer. Franz Kafka power saw the world in as weighty a way as Rousseau, but he imbed a different way to shape the truths he saw in Metamorphosis, a fantasy structured on truth. Kafka has compose identified with a certain view of the nameless and faceless bureaucracy that stands over us all, caring not for our feelings, careless with our pain, and operating as a vast machine with its own rules, crushing anything or anyone in its path with compete indifference. This operates at both the human level, with the bureaucracy of the state, and at a high level, with the "bureaucracy" of the universe, equally indifferent and carrying out its mandate without compassion. The tosh of Gregor Samsa in The Metamorphosis tells a universal ruth as Kafka develops a fantastic situation and communicates an allegory about what it government agency to be human. The structure of Metamorphosis is the structure of a dream, as is often tru
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